Organist, conductor, and educator Cactus Harris joins Jordan to make the case that the pipe organ is anything but boring. From teaching himself accordion out of his mother's closet to commanding the 1928 Robert Morton theater organ at Warnors, Cactus traces a winding path through saxophone, keyboards, and a master's in conducting. He and Jordan dig into the instrument's unexpected origins, the misconceptions that keep people away, and why he believes there's a far bigger audience for the organ in Fresno than most people assume.
In this episode
Cactus and Jordan open with the best hole-in-the-wall food out by Fresno State before getting into the accordion's underrated versatility, the surprisingly rowdy battlefield origins of the pipe organ, and how it migrated into churches and later silent-film theaters. They cover organ technique and the notorious "octopus" coordination it demands, the terraced versus swell dynamics of different instruments, and a spirited round of overrated versus underrated (harpsichord, Wayne Newton, Me-n-Ed's crust, and more). From there the conversation turns to the Robert Morton organ at Warnors — what makes it special, what a museum-quality restoration would cost, and Cactus's vision for bringing new audiences in — before closing on arts funding, Measure P, and the challenge of defining what art is worth funding in Fresno.
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